Rachel and I have season tickets to On the Boards. Our friend, Brian, joined us for the Super Vision show created by The Builders Association in collaboration with dbox.
We started the evening with dinner at Shiki. A simple, small Japanese Restaurant in lower Queen Anne blocks away from OTB. Turns out that the owner, Ken Yamamoto, is an ex- Shiro’s chef. Love him or hate him, I dined at Shiro’s once with Dale Chihuly.
Rumor has it that Mr. Yamamoto turned down an invitation to appear on Iron Chef. I was impressed with the size and quality of the sushi and was even happier to discover that more than half the patrons dining in were Asian and that all the employees spoke Japanese. Brian noticed that the sushi was wasabi heavy. If wasabi can be over powering for you, ask for no wasabi on your order and just add what you like. If you’re looking for a traditional Japanese menu featuring super fresh and tasty food that’s reasonably priced – this place is a must.
The highlight of the evening was definitely the Super Vision Show!! The show questions all the “subtle and unseen forms of surveillance of the data that we create as we move through our daily lives.” What a brilliant show – the audio, the visual, the story lines… so amazing. I loved it. It’s mind blowing and really pushes 3D digital media, architecture, electronic music, and live performance. There is as much bad digital media as there is bad glass art in Seattle but TBA really makes you take notice.
The show had me from the opening scene and how the stage is built before your eyes. Partial screens slide across the stage, digital images are projected from front and back to create multiple layered sets that float in the air, and the actors interact perfectly with the imaginary and real elements of the set.
After the show we went next door to The Sitting Room. It’s a super convenient location and kind of charming. The lighting and furniture kind of works in creating a semi-cozy feel but the ceilings are too high, and the space still feels cold. It wasn’t the best place for us to hang out to discuss the show. We only lasted for one cocktail since we were practically yelling at each other.
We never made it to Mcmenamins for another drink. We ended up at Fenomen A, a gallery/wine bar.
Our waiter explained that it’s purposely spelt with the ‘F’ and ‘A’ for fine art. It’s a simple place with a great idea… enjoy fine drinks and food in the company of good art. This is something you’d find in New York City - not Seattle. Maybe that’s why we had the entire spot to ourselves on a Saturday night?
A couple, Ksenya, the Russian wife, and her Israeli husband own Fenomen A. This spot focuses on Israeli and Russian artists, wine and eats. Fenomen A is only two months old and definitely feels young and still could use some finessing. I don’t like how the oversized digital print outs from the current show, YOSSI VEISSID : Architectural Dreamscapes, are hung with binder clips.
I also don’t care for how they arranged the artwork. Several walls seemed off balance especially the columns hung with paintings. But the line drawings are amazing and the detail is incredible. It's just too bad the space doesn't showcase Mr. Veissid's work better.
Rachel, Brian, and I were planning on sharing a bottle of wine. But we couldn’t all decide on one. Actually, I couldn’t. The first bottle, a red blend from Israel, the 2003 Yarden Mt. Hermon, was described as a full, complex wine but it was more like a basic red table wine. The next bottle, a red from Georgia, the 2002 Kindsmaruli Semi-Sweet, was described as a port like wine. It had more body but definitely far from a port but what turned me off was it's smell. It smelled like a bottle that had been corked and kind of tasted like it had. We then tried the 2001 Khvanchkara Semi-Sweet, another port like option, but it tasted flat and didn't do anything for me.
I decided to skip wine and chose the Baltika Porter.
In addition to our drinks, Brian had our favorite dessert of the night, the Napoleon cake, Rachel ordered Rugalachs, and I chose the Chocolate & Rum Rolls.